Friday, January 24, 2020

Leaning Pine Arboretum Essays -- Place Essays

Leaning Pine Arboretum The Leaning Pine Arboretum, named for a tree which blew down during a storm several years ago, is a tranquil horticultural display garden on the outskirts of the Cal Poly campus. The main purpose of the five-acre arboretum is to educate students about different species of plants in their natural settings. This arboretum emphasizes Cal Poly’s motto of â€Å"Learn by doing.† Students in the Horticulture and Crop Science Department are the force behind the garden and keep it functioning year-round. The horticulture unit was built in the 1970’s when it only included a lawn and some trees. Two decades later, work was underway to create an arboretum showcasing plants from the five mediterranean regions of the world. These regions are: the Mediterranean basin, southwestern Australia, southwestern South Africa, much of California, and much of Chile. A mediterranean region is defined as a region with hot, dry summers and cool, wet winters. Only two percent of the world’s landform can be characterized as mediterranean. The plants at the arboretum flourish in California’s central coast weather. The Leaning Pine Arboretum is entirely student-managed. Six student workers work at the arboretum ten hours per week and there is one garden manager. Each of the six students has their own garden to maintain. They water, weed, and plant in their garden as well as make decisions on what plants will be planted there next. This gives the students a sense of pride and ownership in the arboretum. The arboretum is located at the north end of campus, past the beef unit and across the street from the equine unit on Via Carta Road. It may be difficult to locate since a visitor needs... ...use the arboretum as their classroom. Several students choose to conduct their senior projects at the arboretum as well. Rock walls and benches, wooden decks, and the gazebo were all created by senior students. The Leaning Pine Arboretum remains one of Cal Poly’s best-keep secrets. It is an isolated, unique, and diverse oasis far away from the commotion of the main campus. It is an excellent place to learn about flora, conduct a school-sponsored activity, or simply to relax and stroll through the gardens admiring nature’s beauty. The horticulture and crop science students feel a huge sense of pride and accomplishment when they see others enjoying their student-run sanctuary. While the arboretum is just one distinctive element of Cal Poly land, it is one that can be enjoyed by every member of the community and it helps make Cal Poly a superb institution.

Thursday, January 16, 2020

Mise en Scene in Nosferatu Essay

F.W. Murnau’s â€Å"Nosferatu† is a classic visual tale of Bram Stoker’s â€Å"Dracula†. The silent film is filled with obsession and lust, surrealism as well as the prosaic theme of good versus evil. The film recounts the tale of Hutter, a real estate agent hungry for money, and his journey to vampire Count Orlak’s mansion, as well as the twists and turns found heavily within the scenes. Nosferatu (Count Orlak’s alter ego) falls for Hutter’s wife and moves in to the residence next door to the couple, where a series of events occur that would ultimately lead to the fanged beast’s demise. Mis en scene is a pivotal element throughout the film, especially for expressionist director Murnau, whose natural take on frightening the audience with the use of lighting, camera angles and framing supersedes that of directors who emphasize the huge props or costumes. The director’s excessive use of shadows is a tool used in order to make the events happening throughout the film become more realistic, as well as typifies the evil located in the character of Nosferatu. Cast shadows can be seen throughout the film and all is due to the lighting Murnau chose to give. For example, in among the last scenes of the movie, we see Ellen lying in bed with Nosferatu’s shadow casting above her. This take on camera angle and lighting is especially important as it sums up one of the main motifs, lust. Ellen does not struggle under the dominance of the Count, nor does she fear for her life, rather on the contrary she is offering herself to him and she likes it. This erotic interpretation can be splintered down to the way the director played with the setting. Ellen’s body is clearly brighter than her surroundings, which also reinforces the eroticism of her movements. Also, Nosferatu’s shadow is bigger than it is in any other scene, which allows the audience to feel that at that moment evil is the strongest, and the most powerful. Setting is a very crucial and profound constituent in the cinema, even more important than actors at times. Nature plays the role of symbolizing all that we cannot see through the character’s actions and through the plots words and scripting. Here, nature expresses the hardships and obstacles that reflect upon the emotions of Hutter, Ellen and Nosferatu. During Hutter’s first journey, it is calm and beautiful. However, during his travel back home, it becomes chaotic and disturbing. The instances when the nature  prevents Hutter from moving further arguably begin to show the paranormal side nature is supporting, for example, the river is filled with rocks, which makes it difficult for him to pass; the trees seem very chaotic, the wind is always coming towards him. The scene where Ellen is by the seashore, the sea seems wild and angry. The viewer also knows that it will bring Nosferatu to her too. The environment is helpful only when Nosferatu is around. The sea always seems calm while he is sailing the ship. Other scenes, where elements of nature such as creatures and plants are shown as ghosts or blood-suckers expose the alliance between the vampire and the elements of the Earth. This shows not only the power Nosferatu harbors within him, but that nature is well and truly an antagonist in this depiction of a vampire’s tale. Probably one of the biggest and most important quotes in the movie has been dropped near the beginning, as Hutter runs to his workplace and is stopped by the professor exclaiming â€Å"Wait, young man. You can’t escape your destiny by running away†¦Ã¢â‚¬  This line allowed the audience to begin thinking and to start connecting the limited amount of dots that have been given to us so early in the movie. We know that Nosferatu exists, and that something bad is going to happen to the protagonist, or the character the audience most identifies with. Such a saying would infer that no matter what Hutter did, destiny has already scripted his actions and what is yet to come. The mis en scene parallels the saying in a very subtle way as during the scenes in which Hutter is on his journey to the count, he always seems to be entering the picture, rather than the camera following him. This shows that no matter where he went, it was always predestined for him. Another tell was the clock that kept appearing, not only to give the viewer an idea of the setting but also to show that time is running out and destiny is knocking at the door. Alternatively, a redundant word that was used throughout the film was â€Å"Hurry!† which gave away two aspects in the film. The first that no matter how much you hurry, destiny will always be on the corner, and second it pinpoints at Hutter’s hyper actions and the way he is always in a rush. This can also be boiled down to the editing that slightly speeded up the movie in order to give an eerie vibe to the already paranormal state of the world the characters live in. The film’s camera angles also capture the audiences’ attention without them even knowing. Throughout the movie, Murnau’s choice  of camera angles had not only connected the viewer with the characters, but also connected the characters to one another. In many of the scenes where Hutter encounters the great Nosferatu, the camera angle shows the events occurring in the scene from the protagonist’s point of view, that way the audiences become one with the character, allowing them to see exactly as he does, thus realistically flowing the fear through them and connecting them with him. In other acts, Ellen would be at the seashore awaiting her beloved (but who?) and she would be pointing to the horizon, at the very same moment camera cuts to the ship Nosferatu is sailing and we can see the bow of the ship is pointing â€Å"towards† Ellen. This technique found in movies sanctions the spectators to see the small influences the characters have on each other, no matter where they may be. The movie’s total ambiance and mis en scene are vastly superior to that of the plot and acting, to such a level as to allow the cinema world to dissect the film piece by and study from the inspiring and largely accredited director Murnau, whose expressionist views and interpretations made the classic â€Å"A Symphony of Horrors† is today. With mis en scene and camera angles, as well as lighting and setting, Murnau combined so delicately as to achieve this work of art that shall be studied for years to come.

Wednesday, January 8, 2020

A Letter Of Intent An Offer Is When A Person Or Company...

An offer is when a person or company proposes a deal. The offeror is the one who creates the offer, while the offeree is the one whom the offer is directed towards. Under the common law there are statements that do not amount to an offer, problems with the definiteness in an offer, the termination of offers, and the acceptance of offers. Also keep in mind that under the Uniform Commercial Code there are different rules regulating offers and acceptance with the sale of goods. First let’s define statements that do not amount to an offer. These are invitations to bargain, price quotes, letters of intent, advertisements, and auctions. Invitations to bargain is when you set the lowest price you are willing to sell a product at and the other party can negotiate above that. This is not an offer. Price quotas, lists of prices, are also generally not considering an offer, but a request to receive an offer. A letter of intent summarizes the negotiating process between two parties. 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