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Marina Abramovic Through The Conceptual Frame prevail ARTIST Abramovic is a feat contrivanceist Abramovic enjoyments her body as her artistic medium. She test her physical and psychic limits She explores the relationship between the body, the opinion, and the world. ARTWORKS Abramovic is most famous for her Rhythm Series. severally movement explores the limitations of the mind and body. Abramoivc uses her own body to express her ideas and conventions. Her performances dispute the notion of what is art. Because her performances ephemeron (temporary) she uses photography to document her performances. Exploring the physical and noetic limits of her being, she has withstood pain, exhaustion and hazard in the quest for emotional and spectral transformation. AUDIENCE Abramovic and her performances rely on earreach perception and interaction. She invites the audience to be a split up of the deal of the work by watching what she is doing. For those who were not fitting to physically take care the performances, photographs/video of the performance are displayed in the gallery. She also challenges the situation of the audience by sometimes inviting them to afford to her performance.

Rhythm 0 1974 is an important performance to look at in performance art history. In this performance, Abramoivc invites the audience to use a florilegium of objects on her. The overall result of the performance solely relies on what the audience does. This performance allows the audience to be more bodily process engaged and involved in the process and outcomes of the performanc e. WORLD Balkan Baroque, 1997 an on-going! performance with Abramoivc sitting in a pack of cover animal bones and manically trying to scrub them clean. In an interview, she verbalise of the piece: Im only interested in an art which locoweed change the ideology of society...Art which is only committed to artistic value is incomplete...I dont defend anyone, neither the Serbs nor the Bosnians...If you want to get a broad(a) essay, order it on our website: BestEssayCheap.com

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